Ten Years of Terror by Fenton and Flint
9 1/2” x 11 3/4”
Paperback
B&W w/ Full Color
Published by FAB Press
ISBN: 09522926083
1st Printing (2001)
(This is a preowned book in excellent condition. Very minimal bumps / bends on cover and edges but barely noticeable. Very clean 'archival' copy.)
Description via FAB Press:
The Seventies was the heyday of independent film production in Britain and this decade marked the peak of creativity for the genre. Ten Years of Terror is an encyclopaedic record of this era featuring a stunning selection of film stills and truly great promotional artwork. This is a work of unparalleled research - a valuable and definitive reference work. Ten Years of Terror is a beautiful large-format book which thoroughly satisfies all cult and horror film fans; lavishly illustrated with many pages in full colour and stacks of never previously published photos.The Seventies was the heyday of independent film production in Britain and this decade marked the peak of creativity for the genre. Ten Years of Terror is an encyclopaedic record of this era featuring a stunning selection of film stills and truly great promotional artwork. This is a work of unparalleled research - a valuable and definitive reference work. Ten Years of Terror is a beautiful large-format book which thoroughly satisfies all cult and horror film fans; lavishly illustrated with many pages in full colour and stacks of never previously published photos.
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The George Kuchar Reader
8.5 x 11 inches
336 pages
Paperback
80 Color and B&W images
Published by Primary Information
ISBN: 9780985136475
ISBN: 09522926083
1st Printing (2001)
Description via Primary Information:
Edited by Andrew Lampert, this expansive anthology explores the writings that underscore George Kuchar’s work and life. The most comprehensive collection of writings on the artist to date, this volume features film scripts, comics, drawings, paintings, correspondence, autobiographical musings, tales of UFO encounters, student recommendation letters, emails, photos, film stills, and a wide range of ephemeral, often hysterical autobiographical and critical writings by the late auteur behind such underground film classics as Hold Me While I’m Naked, The Weather Diaries, and I, an Actress.
George Kuchar is best known for the films and videos he made beginning in the mid-1950s. The earliest works were 8mm movies created with his twin brother, Mike Kuchar. A seminal influence on John Waters amongst many others, these uniquely irreverent films were at the forefront of the New York underground film scene alongside avant-garde filmmakers like Andy Warhol, Jack Smith, Stan Brakhage, and Jonas Mekas, who championed the Kuchars in his influential Village Voice column. In 1971, George Kuchar began teaching at the San Francisco Art Institute and remained in San Francisco, collaborating with his students, until his death in 2011. The roughly 350 films and videos that he directed are consistently faithful to the low-fi intimacy of his early work. Kuchar’s film and video work has screened around the world in cinemas, festivals, and major museums. Recent exhibitions include George Kuchar: Pagan Rhapsodies at MoMA PS1 in New York; Living in Studio Kuchar at Walter and McBean Galleries, San Francisco; and the 2012 Whitney Biennial at the Whitney Museum of American Art.
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Vital - The Complete Collection 1987 - 1995
7" x 9.75"
580 pages
Hardcover
B&W Offset
Published by Korm Plastics
ISBN: 9789059398634
Description via Korm Plastics:
Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient music, cassette culture and noise, and included contributions from musicians such as Leigh Landy, Godfried Willem Raes, John Duncan, and GX Jupitter-Larsen. Every issue included reviews of cassette releases, LPs, CDs and books. A total of 44 issues were published. Vital moved online in 1995, where it appeared every week since as Vital Weekly.
This book is a reprint of all 44 issues and is a lively record of the heyday of cassette culture and industrial music, but also of developments in the wider field of electronic music.
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Desperate Visions: The Films of John Waters & the Kuchar Brothers by Jack Stevenson
6 1/2” x 9 12”
256 pages
Softcover
B&W
Published by Creation Books
ISBN: 1871592348
1st Printing (1996)
(This is a used book in very good condition; minor bumps on corners and front cover. Slight crease on bottom left back cover. Unmarked and clean copy.)
Waters Webpage
Kuchar Webpage
Description via Creations Books:
John Waters is the notorious director of such cult-movie classics as "Pink Flamingos", "Female Trouble", "Desperate Living" and "Hairspray".
Desperate Visions features several in-depth interviews with Waters, as well as with members of his legendary entourage including Divine, Mary Vivian Pearce, Mink Stole and Miss Jean Hill. George and Mike Kuchar are the directors of such low budget/ underground classics as "Sins of the Fleshapoids" and "Hold Me While I'm Naked". Their visionary trash aesthetic was a great influence on the young John Waters.
Desperate Visions includes extensive interviews with the Kuchars, as well as a comprehensive assessment of their career and influence. A unique feature on actress, Marion Eaton, star of the gothic porn epic "Thundercrack!", is also included. With many rare photographs, filmography and index, Desperate Visions is an essential introduction to the wild world of John Waters and to the outrageous camp/underground film tradition which his movies exemplify.
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The Last Slogan by Nicolas Ballet and Jean-Pierre Turmel
8.5" x 12"
192 pages
Hardcover
Full Color Offset
Published by Timeless Editions
Description via Timeless Editions:
This book pays tribute to one of counter-culture’s single most iconic figures of the past fifty odd years, someone who has over the course of he/r career influenced countless fellow artists and theorists. Comprised of an exclusive unpublished interview with the artist conducted by Nicolas Ballet in 2016, theoretical texts on he/r work, and archival documents from the personal collection of Jean-Pierre Turmel.
Comprised theoretical texts on he/r work, and archival documents from the personal collection of Jean-Pierre Turmel. The Last Slogan offers a completely new perspective on the work of Genesis Breyer P-Orridge.The book collects multiple letters sent by Genesis to Jean-Pierre Turmel from the mid-1970s till early 1990s. These unique personal archives provide an unequaled insight into Genesis Breyer P-Orridge’s life-long journey via a deeply intimate correspondence with a close friend and associate, an intellectual sparring-partner of sorts, in which the artist discusses he/r inner thoughts, strategies, doubts and plans without any of the usual control filters.
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Nightmare USA by Stephen Thrower
10.25" x 11.5"
527 pages
Hardcover
B&W Offset w/ Full Color Spreads
Published by FAB Press
Sixth Edition (2022)
Description via FAB Press:
Running to 528 large-format pages, Nightmare USA is a veritable encyclopedia of grindhouse cinema - it's one of the most acclaimed genre film books ever published, and after having Sold Out three times over already, it's finally back in print!
A kaleidoscopic journey through the heyday of Horror and Exploitation Cinema in America!
From Quentin Tarantino (Kill Bill) to Eli Roth (Hostel), the young guns of modern Hollywood just can't get enough of that exploitation film high. That's because, between 1970 and 1985, American Exploitation movies went berserk. With censorship relaxed, and the gate to excess wide open, horror - the Exploitation genre par excellence - offered a vibrant alternative to the mainstream of American cinema. Luridly titled wonders like The Headless Eyes, Scream Bloody Murder and Hitch Hike to Hell were everywhere, from the drive-ins of Texas to the grindhouses of New York, touting a combination of mind-bruising violence, weird sex and drug-soaked delirium. Massively popular around the world, American exploitation movies added immensely to the richness of the nation's cinema, but they have remained persona non grata in most serious studies of American film. Until now...
Built on five years of research, Nightmare USA explores the development of America's subterranean horror film industry, spotlighting some of the wildest films imaginable from an era unchecked by censorship or 'good taste.' Ranging from cult favourites like I Drink Your Blood to stylish mind-benders like Messiah of Evil and ultra-violent shockers like Don't Go in the House, Nightmare USA goes where no other in-depth study has gone before, revealing the fascinating true stories behind classics and obscurities alike. Stephen Thrower, author of Beyond Terror, the definitive book on Italian gore maestro Lucio Fulci, has explored the attics and cellars of American cinema, delved beneath the floorboards, peered between the walls, searching for the strangest, most exotic cine-lifeforms... Nightmare USA is the reader's guide to what lies beyond the mainstream of American horror, dispelling the shadows to meet the men and women behind fifteen years of screen terror: the Exploitation Independents!
This massive overview of the Horror genre's development through the 1970s and 1980s features:
- In-depth EXCLUSIVE interviews with twenty-five grindhouse movie makers, many of whom are discussing their work for the first time ever in print, including David Durston (I Drink Your Blood), Robert Endelson (Fight for Your Life), Frederick Friedel (Axe), Don Jones (Schoolgirls in Chains); and Joseph Ellison (Don't Go in the House).
- Over 175 individual films reviewed, with full cast and crew credits compiled by world-renowned cinema archivist Julian Grainger.
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Vast quantities of previously unpublished stills, posters, press-books, plus behind-the-scenes photographs from the filmmakers' own collections.
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Rocker Issue #5, August 2024
No Rent Description (August 2024 Issue):
• Interview with The Rita
• Faster Details
- A portrait of Alex Chesney by Renée Mendoza Haran
• Interview with Agonal Breathing
• Red Light District
- The early days of NY's noise collective by Bryan Gilroy of Viodre
• Interview with Xiu Xiu
• 9 pages of reviews
• Printed in full color on #80 gloss paper. 76 pages, all content.
• First Run of 500
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Robert Ashley: Outside of Time
Softcover
656 pages
9 3/8" x 6 3/4"
English-German Edition
A collection of texts by Robert Ashley, edited by Ralf Dietrich. With an essay by Alvin Lucier. English/German edition.
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David Lynch Interviews
6" x 9"
224 pages
Paperback
ISBN: 9781604732375
Published by University Press of MIssissippi (2009)
Few directors in the past three decades have produced movies more compelling, controversial, or confounding than David Lynch (b. 1946). And fewer still have been so reluctant to talk about what they do. In this collection, editor Richard A. Barney has chosen the rare interviews in which Lynch opens up to questions rather than deflecting them. Whether Lynch is talking about his earliest film shorts such as The Grandmother or the breakout surrealist feature Eraserhead, the hit TV series Twin Peaks or his Oscar-nominated The Elephant Man or Blue Velvet or his experimental tours de force, Mulholland Drive and Inland Empire, he stresses the power of image and sound to communicate his vision.
David Lynch: Interviews is the first survey of conversations with the director covering the broad spectrum of his artistic activities throughout his career, including filmmaking, painting, music production, and furniture design. It documents the evolution of Lynch's role in discussing his movies, from his self-described “pre-verbal stage” in the early years to his increasingly elaborate, though persistently elusive, articulations. It also registers the intense international interest in Lynch's work, with interviews from French and Spanish sources translated here for the first time.
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America's Greatest Noise by Frans de Waard
6 3/4" x 9 1/2"
144 pages
Paperback
B&W
Published by Korm Plastics
‘America’s Greatest Noise’ tells the story of Ron Lessard, owner of RRRecords, a record store in Lowell, Massachusetts and, from 1986 to 2009, a record label, releasing the albums of Blackhouse, F/i, PGR, the first Merzbow LP outside Japan and many more, regional compilations, three widely acclaimed lock groove records and a series of anti-records, records with no music but a more conceptual and visual edge. RRRecords is also responsible for the RRRecycled Music series, which has over 300 releases on re-purposed cassettes.
Ron Lessard played music with his group Due Process and solo as Emil Beaulieau. Up until his retirement from the noise scene in 2006, he played many concerts and released a string of cassettes, LPs, and CDs. During his concerts, Lessard dressed up like a businessman and used a four-armed turntable, dubbed the Minutoli, and his performances were comical.
In this book, he tells for the first time his story in music about the highs and lows of running a label and a record store, weird projects, unfinished projects, encounters with other musicians, being on the road, and much more. Also included are two appendices: one with interviews from the past (fanzines and websites) and a chapter from Michael Tau’s ‘Extreme Music’ about the anti-records released by RRRecords.
Images used were sourced from flyers, invitations and fanzines. Introduction by Dominick Fernow (Prurient, Hospital Productions)
The first 1000 copies come with an anti-flexi, cutting up a conversation about anti-records between Ron Lessard and the author of the book, Frans de Waard. Cut up by Howard Stelzer. You may use this flexi as a bookmark.Howard Stelzer. You may use this flexi as a bookmark.
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Neumusik – The Complete Edition
6 3/4" x 9 1/2"
425 pages
Paperback
B&W
Published by Korm Plastics
Book containing all six issues of the Neumusik fanzine which David Elliott edited between 1979-82 while at university. The ‘zine focussed on European, electronic and experimental music which had come out of krautrock, French progressive rock and the more esoteric side of British post-punk. David travelled extensively meeting musicians in Germany and France, and for a year was based in Strasbourg. Interviews and articles range from Conrad Schnitzler and Richard Pinhas to Florian Fricke and Chris Carter. Most issues were 60-80 pages long so, together with new text and photos, this compendium weighs in at a chunky 425 pages. It also touches on the parallel YHR label.
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The Psychick Bible by Genesis Breyer P-Orridge
6" x 9"
541 pages
Paperback w/ Cover flaps
B&W w/ Red
Published by Feral House
'Everyone should own a copy.' - Ross W
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Liminal by Pierre Huyghe
9 3/4" x 11"
456 pages
Paperback w/ Flaps
Full Color Offset
Published by Pinault Collection
More info via Pinault Collection
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Universal Cell Unlock - Fugitive Numbers 12” (PSR032)
12"
Music performed by CF
Mastered by Nicolás Carcavilla at Galapex-Orpheus Studios
Includes 11"x 17" double sided silkscreened / xeroxed / stamped print
Edition of 100
Description via Bill Nace & Psychic Sounds:
Universal Cell Unlocks Fugitive Numbers feels like a record about memory. Memories looping, paused and superimposed. Something about these pieces feels monumental without reaching for it to be so. The shock of the now, a new world being born within a dying world, a new awareness crowning. A moment telescoping from the banal to the sublime and back again.
Fugitive Numbers has similarities to a film soundtrack but we discover that the film is comprised of individual scenes all glitching on pause, a plate spinner at the end of his act. I'm reminded a bit of Asmus Tietchens Biotop LP. There’s a similar sense of pacing and patience. Like motion lines in a comic panel a sense of momentum is conveyed more than development or changes of scenery, a single film cell illuminated before it flares up. Landscapes blurring into a memory blurring into a familiar smell...exhaust, cigarette smoke, a basement after a party... gone in a flash. Night of the Comet explained third hand. There’s a sense of a kind of floating speed here to me. This is definitely music meant for the car. For driving. That combination of movement and stasis that allows for memories to bubble up, to recombine, to present a challenge...that if you drive fast enough you'll create something... a new world...slip past what is known to something new and absurd, colorful and constantly shifting. To unpause the scene and let it play through.
The tracks are succinct snapshots…an inhale short and deep, exhaled and then gone... little deaths of our daily worlds expressed through overlapping memories, a pile-up of a lifetime of moments slowed down and traced....a head with 6 noses, a grinning set of teeth wrapped around a house, a plane with its legs wide open....a vhs being dubbed over again and again and again
By the end of the record we find ourselves in a room covered in gold bricks. A man approaches and we see that his lungs are on the outside of his body and are made of tiny beads of glass that illuminate with each breath he takes. As they glow with a deep dark blue our focus zooms in on a cluster of dense matter that explodes as a car cuts through it and over the radio the words "PENETRATION PENETRATION PENETRATION!" send us into a dream. --Bill Nace (Philadelphia 2025)
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Morton Feldman: Words on Music
9 3/8" x 6 3/4"
906 pages
Softcover
ISBN: 3980315185
Published by MusikTexte
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Contagious Magick Of The Super Abundance - Ian Johnstone
192 pages
Hardcover
Full color offset
First edition of 500
Published by Timeless
Description via Timeless:
A full colour artbook compiled under the aegis of Ian’s long-time friend and partner Mikel. The book collects all of his major visual art, arguably the best examples of which have rarely been on public display, early oft-times humorous sketches, extensive photo documentation of and an essay on his performance work, his cover art (most notably for COIL) and tattoo designs, Also included are the 23 Stab Wounds of Julius Caesar in all their permutations. A few peeks into his private life including unseen photos with his one-time partner John Balance as well as essays on the man and his work by Julie Travis, Serena Korda and Mikel.
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